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Video: Using Potted Plants in a Floral Arrangement Alongside Cut Flowers

In this springtime video, Kelly will show you how to pull together an arrangement perfect for an Easter lunch table.  Learn how to become a florist and take floral design classes online with Team Flower. Here you can even learn tips on flower gardening for beginners. We'll show you how to do flower arrangements in flower arranging videos.

Transcript

Hi, I'm Kelly Perry with Team Flower. And I wanted to share an Easter centerpiece with you today. I'm reading this book called Flower Arranging Through the Year, by Daphne Vagg.

And in it there is a little idea. They call it pot-et-fleur. Literally means pot in flower. It evolved about 20 years ago to describe an arrangement of growing plants that are still rooted with a few cut flowers.

At times of the year when flowers are scarce or expensive, a pot-et-fleur can provide a type of decoration which has never really enjoyed the popularity it deserves for its economy and long life. A well-planted and cared for bowl will last for two or three years.

Well, maybe not if it lives in-- maybe not if it lives in my house. But if you're a good house plant person and very attentive, this is a great idea.

I love the concept behind it. In the book that they show here, they have some begonias, succulents, dusty millers, ivies, things like that. And then they've added in some little lilies.

A great idea to have some simple house plants that then you can, throughout the year, go back to and simple little if you need a little extra in a boutineer. Or just to have something fresh and growing in your house all the time that you can then take things they're blooming outside and add into your bowl, just to keep things fresh and fun. But it doesn't take maybe quite as much work as an arrangement.

So that is what we're going to do today. And I am using some things that I would probably plant these things out. It's not house plant kind of materials. But these are things that are available at the garden center now.

And we're going to plant them, pop them up here for our Easter bowl. And then after frost passes we're going to go ahead and plan these things out in the garden.

So my version is not as strict. But that's something that you could do is plant the house plants. And then follow the same kind of set up and concept to have something that's fresh and growing throughout the year.

So we are going to start by taking our terracotta pot. And I'm going to flip it upside down. I'd kind of like to age it a little bit, but I don't have time to go through the whole process of covering it and letting that process happen.

So I'm going to do a quick little cheat. And I'm going to just use some chalk. Some simple classroom chalk or some sidewalk chalk if your kids have some.

And I'm just going to go back and forth on my bowl with the chalk. And then we're going to smooth it over and kind of blend it all together just with a towel.

You will, of course, want to be careful when you pick this back up to take it in your house so you don't have chalk all over the front of you. But this is just a really quick way to get some interest, and texture, and age to your pot instantly. It's fun.

Kind of like we're giving her some makeup. Putting on the powder.

Now next, we're going to add some-- get a base level of some potting soil in here. We'll go back over where I just put a little thumb print. OK.

And I'm just using a simple Miracle-Gro potting mix from the hardware store that has some nutrients for the plants in it already. This is only designed to last for a little while in terms of nutrients for your plants. So you'll want to check the brand and the bag that you have to see what's in it, how long it will last, and what you'll need to add or supplement to keep your plants looking great long-term.

I know a lot of times with house plants-- I'm getting a little bit better at them. But I was on a real losing streak with them because I kept getting insects in the soil.

And so I did some Dawn dish detergent and have been doing flower food in them regularly. And that's really helped. So maybe my black thumb of death is going to leave here pretty soon.

OK. We're going to add these first. They're just a sweet little-- what was this called? Saxi-- frage? Fr-ah-g? Did we look this-- we looked this up and-- oh, man.

If I haven't heard it said before. I have a tough time with that sometimes. But it is spelled highlander white. And it's S-A-X-I-F-R-A-G-E.

I'm just going to break up this little bit at the bottom so that the roots can move around in the pot. And I chose two different ones. This one has more compact flowers and this one was a little bit leggy looking. But I liked that because I can have this one that is doing a little bit more movement come and drape down the front like this.

So I'll tuck that little baby in the there. I'm going to add-- I have some different kinds of lettuces. I guess this is a lettuce, a kale, and I think this is cabbage. Yep. A little bit of cabbage.

That one I lost. I tell people a lot with cut flowers, feeling the flowers to know if it's going to hold well for use a cut if you're cutting some things from your garden. If you feel lettuce it feels very tender and soft. And then if you feel this cabbage down here it's very leathery.

That Cabbage will do just fine out of water. But the lettuce, you'll have a little bit more wobbling around. And we're experiencing that even now just here on the plant. The cabbage and kale over here, same thing.

And I wanted to have a little bit of lettuce in here. Have a little spring garden. Thought it would be sweet. So we'll see how it does.

Let's put a little thyme in here next. Thyme is one of my-- this is a lemon variety. I love thyme.

It's very sweet smelling. It's great to have on hand for cake decorating flowers if you do wedding flowers. I like to use that on wedding cakes a lot. Of course, I make little cookies and Jesse and I had it in scrambled eggs the other morning.

When I was choosing these plants at the garden center I was thinking about the different shapes of the leaves and how they might look grouped together. I wanted to have some varieties, so that's why we have long lettuce leaves.

And these cabbage leaves have just a little hint of purple in them, which I really liked. Just add a little bit of depth to our green. It's, of course, primarily green. But I wanted to have a little hint of color.

Now This, you could plant the whole thing in the ground I suppose. I want to liberate it for what we're doing.

It has become-- the roots have come bound around the bottom of this. Try not to disturb them too much but let them go free so they can keep moving.

Easter is one of my favorite-- well it is my very favorite holiday. So I'm excited about this one. Parents are coming down to visit. And we'll have our little brunch with this centerpiece.

Nice thing about these is you can do them in advance and keep an eye on them, keep them watered, and happy. And that's one less thing you have to do when company comes. You don't need to be arranging fresh flowers. You can just touch your potted arrangement up and pay attention to your guests.

OK. I think I'm going to reserve these last two, just in case we need them. And I'm going to fill in with a little bit more potting soil. Then we're going to add some fresh flowers.

And these daffodils will be-- they will be all done blooming. They will have lived their life by Easter for me right now. But there will be more in the garden when Easter rolls around and I'll run out pick some more.

Same with-- I think we're going to add some forsythia to this. It's a great plant to use.

But again, that forsythia will actually very likely still be looking great for me around Easter. Forsythia is one of those flowers that roofs in water. And those kinds of things are always very long lasting in arrangements.

I don't know if you've ever noticed ivy. If you cut ivy and put it in a vase, it will start to shoot out little roots at the bottom. Maybe after about two weeks of being cut.

And forsythia acts the same way. That's how it spreads in the ground and multiplies is by putting out roots. So that is a great, great cut. Great thing to have in your garden if you don't have already. OK. Cute.

So to put these flowers in, I'm going to use some little water picks. But I wanted to show you a few other options.

In the book, whenever they talk about putting together the pot-et-fleurs, they have thin little containers or little vessels that they actually plant in the soil that then they can put their little bouquet in. So I wanted to show these. These would be great little things that you could plant in there. With what we're doing with it being so low and just the shape of what we're doing today, this isn't what I need.

We could, if we wanted to, perhaps use this. This is a little pin frog cup that you can put a little bit of water down in here. And then you have the pins that you can set the flowers in and around.

So I'm going to just-- there's a little place right here that I've created that would be fine to put that in. Since it's green it mixes in with the things that we have. I'm just going to put a little bit of water in that.

And since I might want to put some flowers in a spot other than this or maybe just one little flower over here, I also have some water tubes to use as well. And they just look like this if you haven't used them before. They have a little poke and you just poke it down in there. And then kind of hide the mechanics of that as needed.

So I'm going to start with the forsythia. And I'm going to use this to create the kind of more interesting shape at the top. We've filled in the base of our arrangement. But now opposite of this rosemary that's probably the most prominent thing that we have coming up, I'm going to do the forsythia right over here.

And I'm not getting real serious about precisely how this is going in there. I want it to feel casual and just that it was a walk in the garden. But naturally, just because that's how my eyes bend, I'm thinking about the lines and the movement that I'm creating in the arrangement with the pieces that I put in.

And then the little daffodils. You can see how they get this little-- where they've been living and forming. You can just pull that off and liberate the flower. So there she is. Glad and ready to roll.

I'm going to take a quick peek at my flowers. See which ones are the biggest, which ones are medium, which ones are small. That helps me as I place them.

You place larger flowers at the base of the arrangement and smaller ones higher. It feels a little bit more grounded, I guess is the word you could use to describe that.

And as I place the flowers in, I'm thinking about just putting maybe one a stair step above the other, rather than crunching them together. Because I want this to just look like they're growing there.

And as you go out and gather your flowers, you don't have to use daffodils. You don't have to use forsythia. Use whatever is in your garden.

But notice as you bring it in and as it's growing there, just the natural bend to the flower and how it seems to grow. And if you mimic that kind of look as you arrange it in the bowl, you'll get a nice garden feel.

So I'm going to show you-- I have this one in here and I'm going to take it out. And I'll show you why I think-- I mean it could stay there.

But I kind of think it's a stronger composition to me if I just pull this out and we have that. These were kind of on the same level and similar. So I'm just going to readjust how this one is facing. Maybe use it a little bit further back in the arrangement.

So now I'm going to work this angle. And see how as we do this we're creating depth in the arrangement. You can tell that it's moving backwards here just a little bit more. Movement.

You really could, I think, stop there with the flower placement. What I might do with some of these other smaller daffodils that I have is just create a small little grouping in a little bud vase and put these in front of each person seat. I think that would be a sweet way to use the rest of these.

And I wanted to add in my little bunny here. I have two younger sisters. And the one next in line to me, her name is Kristin. But we-- from the day she was born she just looked like the sweetest little snugly bunny. And the name stuck.

So this is little bunny right here. She can't make it down to Easter. So we're going to put this little-- we're going to put this little bunny in here to remember Kristin. I think we will put that right here. Cute.

And just these last two that I have. There's a little spot back here. I'm going to fill them in.

OK. I think that took care of that. I think we're done.

Another thing you might want to do down the ends of the tables. I know everybody's dinner tables are a little bit different. Some people are eating family style. Some people are having it on a buffet or something like that. So just a few other things.

So the daffodils in the bud vase is another way that you could add and make something with this. And then there are little sweet terracotta pots that you can get at the hardware store. They have little tiny mini ones too. That might be something that's sweet that you could put at each person's place setting.

And I also have some carrots and I have some cabbage leaves. I took some leaves off. And I have the actual cabbage head here. You can arrange these down your table and make it sweet and special.

Or you might even consider using one of these cabbage leaves as maybe a place card. Maybe you paint, just with some little-- bit of acrylic paint, you paint their little name in there as a place card. Or you could serve a chicken salad in it, you know. Whatever you think.

But there's so many sweet ways you can use something like this. And what a beautiful leaf, all the colors and veins within the leaf. So those are a few little ideas for you with that.

I already mentioned planning it out after you're finished using it as your centerpiece. And don't want to forget to give it a little bit of water here before we sign off as well, since we've disturbed those-- disturbed those roots, go ahead and get them some water back to their way.

So that's what I've got for you. Wishing you a wonderful, wonderful Easter. And hope that you enjoy spring and all the beautiful things that it has to offer.

Talk to you soon. Have a great day.

Video: Creating a Sculptural Floral Arrangement Step by Step

In this fall-inspired centerpiece tutorial video, Kelly pulls together an arrangement using gomphrena, zinnias, foxglove, pokeweed, asiatic lilies, hydrangea, and dahlias. Learn how to become a florist and take floral design classes online with Team Flower. Here you can even learn tips on flower gardening for beginners. We'll show you how to do flower arrangements in flower arranging videos.

Transcript

Hey there. I'm Kelly Perry with Team Flower, and today I'm going to do a little centerpiece demonstration for you using beautiful peach, pink, white, orange flowers. I hope you enjoy it. 

We're going to get started today with some pokeweed. I love using this in the summer time. And we are going to use this to establish the shape of our arrangement. So you can do this with any kind of flowers. You just have to think through, what can I use that serves a similar purpose? 

So you don't have to use pokeweed whenever you go and try this at home. You can use something else that has a similar function. 

It's really fun. Everybody's regions are so different that are here with us on Team Flower, and it's fun to see what you guys are using in your neck of the woods. And I would love to hear more about what you have in your yard. 

 

I'm using a flower frog today, and I have it attached in there to my compote dish with some epoxy. Now, it will not come out if you decide you want to go that route. It's kind of a permanent thing. But I really like to-- I really like to have them in there good and stuck. 

 

OK, so that's our basic shape. Next we're going to work on covering some of this area down in here, and then we're going to build it up with beautiful flowers. I'm going to use some geranium leaves, and I'm going to use a little technique called layering, where you simply layer the leaves one on top of the next. And I'm going to work that back in and through the arrangement to get a little bit of a line going. 

Every time you put a flower in you have to think about, OK, where's the next flower going to go that's going to balance that one out. So it doesn't necessarily have to be the exact same flower that you use to balance things, but you just need to kind of keep that in mind so that you don't get lost along the way whenever you're making your arrangement. 

So when you step back and evaluate regularly, you'll catch when things are kind of going in a direction that you want to change or edit. 

So just low in the arrangement, these little guys in there. And then I'm going to do the same thing with some hydrangea. 

 

You definitely don't want to miss this step of building the shape and getting the shape to a place where you like, and then working on this covering aspect is really important. So that gives a place for all the rest of your beautiful flowers to shine. 

I have two different kinds of hydrangea that I pulled, and I'll see which one I like in here better. But they have different shapes, and so they can be used in different ways. Like this one is more round, and this one really lends itself to being able to be cut pretty low and tucked deep inside. 

Sometimes hydrangea can be a little bit overwhelming because it's so large and round. So I like to pull it apart in different sections, kind of use it in this way. Also looks pretty as a mass grouping. Like a lot of hydrangeas all in one place, I think is another way that you could use them. 

 

I'm getting close to where I feel like I have an adequate amount of coverage, and that I'm ready to start pulling this color from down here up into the arrangement with some foxglove. This is called pink dalmatian. It's really sweet variety. 

 

And I'm going to use this to bring color higher in the arrangement. It also reinforces the shape of the arrangement. And I love how it's going to act as a transition flower, taking us from the peaches that we have-- or the pinks that we have-- to some peachier tones. 

 

It's little speckles in there are really sweet pink. And as I'm choosing the flowers, I'm thinking about the shape that they naturally have. This one would really lend itself to kind of going out this way. So that is where I'm going to put it. 

You don't want to be fighting the natural shape of the flowers or you'll have a hard time getting everything where you'd like it to be. But if you need to just zhuzh it a little bit, you can kind of go like this, soften the stem-- stem fibers a little bit. It's especially helpful with things like tulips. 

Tulips are wonderful, aren't they? I cannot wait to have those back in the spring. So many different varieties. Love them. 

Next we're going to use zinnias to create a line. You could also use ranunculus, but if you are in a situation where you need to have two different options for a bride because you're working, maybe, at a different price point, ranunculus of course are more expensive. These can range anywhere from like $1.30 maybe to over $2 a stem, depending on the time of year. 

And then there's zinnias which you can get from most cut flower farms. And these are kind of one of those more, like, two or three for a dollar flowers. But very similar as far as shape and kind of, the way that you could use them. I really think that zinnias rival ranunculus in the summer. I think they're so sweet. Absolutely love them. Would choose them over ranunculus every time. 

 

What we're going to do with these is create a little bit of a line in the arrangement. And I'm just going to take notice of the size and the shading on all of the ones that I have. These ones are a little bit more peach so they'll look prettier together in a group. Hmm, these ones have more of a pink and white tone, so those would look really pretty, like, next to some pokeweed because it has those same tones in it, 

Have some white. This might be pretty up there near the foxglove. There's a little touch of white up there. This one coral piece that's really pretty and bright. That might look pretty low in the arrangement next to something peach. So we'll start there. 

And I like to observe how they look from different angles because want to put them in a place that really showcases their special shape and coloring. 

 

Now what we're making is called an implied line. It's a connect the dots kind of line. And that helps to guide your eye through the arrangement. 

 

So you can start implied lines anyway that you like. They're really fun. It's kind of the unscripted part about this, in these more organic style arrangements. You can make up the path that you want them to go in and decide based on how their stems fall and all those kinds of things. 

 

This is a pretty strong vertical implied line right here. Not something that I normally do, but I want to play with it a little bit today and see where it goes. 

 

There's my frog. [LAUGHS] So I like how this kind of comes down, and then it pops back over and up to these ones and then around the side. 

So again, you could do something very similar with the ranunculus if you wanted to. I just wanted to have those here as a little example for you so you could be thinking about it. And I have some dahlias. 

 

It's good to work just one ingredient at a time. Helps you to focus and see how things are falling sometimes when there's all these buckets of flowers in front of you, and you're like, oh gosh, where do I even start? You just need to get everything organized in the way that you're going to put it into the arrangement. And then don't think another thing about it. 

Start with what you're going to use to create your shape then what you're going to use to cover, like we used the hydrangea to kind of cover the bottom and the geranium leaves. Just put everything in order. 

 

OK. I have another line going here. I really like lines. They keep the-- sometimes the organic arrangements can start to look a little bit messy, and the lines keep things organized. I really love, love, love, love lines. Super, super important. 

OK, are big star of the show is this Asiatic lily that I found from Peterkort. They grow a lot of roses but I happened to see these, and I was like, oh, please add a bunch of those to my box. So I'm excited to play with these and see how they come together. 

 

I think the coloring in them is so lovely. This really just-- oh, rich, rich, brown red. And I love how that plays with the richness of the insides of these zinnias. It's one of the reasons why I wanted to choose those over the ranunculus today. 

 

Mm, those look so pretty with the zinnias. 

 

I think lilies get overlooked sometimes. We need to bring them back. They're beautiful flowers. 

 

I'm kind of wanting to work one in high. I'm going to try it and see how it looks. Might be too much, might be awesome. You always have to give it a whirl. And of course, beauty is one of those things that's a little bit subjective. Some people might love it and think that it's awesome, and then others are like, whoa, where'd that come from. So you have to decide-- you have to decide what you love. 

And that's what really makes your mark, and makes your work unique. Everybody worries about, oh, what's my look? What's my look? It's just naturally what you think is beautiful. That will become your look. So you don't have to over think that a lot. Hopefully that takes some pressure off. 

I'm going to leave it there for now. Something I like to do at the end of the arrangements, just take a quick little iPhone picture of it. So maybe I'll do that and see if I want to leave that in there or take that out. But I'm OK with it for now. 

Last thing I'm going to add is gomphrena. This is something that a lot of the local flower farmers will grow. And you can dry it, so it does really well as a cut. A lot of things that you can dry will do well as cuts, and in boutonnieres and things like that need to be out of water. 

These do have some wilty stems if they're cut at just the wrong time, so just be cognizant of that and do a little test run if you wanted to use these in boutonnieres or something like that. They're kind of like zinnias. If they're cut just a little bit early, their stems can get floppy and they don't hold as well. 

The purpose of these little finish flower, what adds that little bit of lightness to the arrangement. Some other things you could use with these lilies, chocolate scabiosa or black cosmos would be pretty. 

Now, we talked about that implied line. What this is doing in the arrangement is an actual line. That's the two different kinds. 

And I do like this little bit of negative space that I have going in here. I kind of want one other thing that's up just a little bit higher so that it's not at the same level. So let's see if we can get that, and if not maybe we'll just pull that gomphrena and make it a little bit shorter, and have that be the high point in the arrangement. 

OK, I we're just about done. Add one more over here I think. 

 

OK. As always, after you put something together it's a good idea just to walk away from it for a few minutes and just check it. You might come back and look at it and see something else that you want to just change a little bit. So whenever you're going through and practicing this, just feel the freedom to, at any point, walk away if you need to and come back. A lot of times that gives us a lot of clarity. 

So we'll just review the flowers real quick and the purposes of them in the order that we put them in. First it was the pokeweed. And that served as our shape. Then we put in some pink hydrangea, and that helped us cover the base of our arrangement and also added a little bit of structure and stability because it has all those different-- just the shape, you can put flowers down through to help hold them hold them all in. 

Then we added some geranium leaves to cover the bottom as well. And then from that, we built up and we started using some zinnia-- or you could use ranunculus-- to create an implied line. After that we went for the dahlias. And we created another line, both on the front and the back, with the dahlias. 

And then we added in some of these beautiful Asiatic lilies. And finished it off with gomphrena. And I forgot the foxglove. That came after the geranium. And that's-- I think this is called the dalmatian, peach dalmatian. 

So there you have it. I hope you enjoyed this little centerpiece tutorial as much as I did. Get out there and keep moving forward one step at a time. Happy to be a part of the process with you I'm Kelly Perry with Team Flower. Have a good day.

Video: How to Make Flowers Spring Out of a Table

In this centerpiece video, Kelly makes a unique arrangement using a forest floor as inspiration. Watch as she pulls together unique mechanics to design an idea you can use in your next ceremony. Learn how to become a florist and take floral design classes online with Team Flower. Here you can even learn tips on flower gardening for beginners. We'll show you how to do flower arrangements in flower arranging videos.

Transcript

Up next, we have a really fun long table centerpiece display that we're going to work on together. I've partially constructed and deconstructed part of it. So we're going to go back through, and I'll show you kind of how to get up and to this point. And then, we'll keep finishing it out. 

So what we have here, in terms of supplies, this is from Lowe's hardware. We have got a piece of siding that they use on homes. And what I did, it had a lip on one side. And I took the-- I think it was 12 or 14 or so feet in length-- and I cut it in half and put them end to end so that I would have a lip on both sides. 

And I just used some packing tape to make them together-- to put them together, so I have kind of like a little tray, which is great because it makes it a little bit sturdier, you know, for lifting and things like that. But it's perfect for this type of project. The width on it is really nice. 

We are working on, this is going to be a six-foot long runner. It's going on an eight-foot table. And whenever I get it on site to install, for Amy, we're going to put just a few more little pieces of moss on the sides. And then, I have just one more candle like this that's going to kind of sit and fill in the area on that last little bit. 

So that's what we've got. It's sitting in. Then, I have some oasis foam. And it's just a simple-- it's not a fancy kind or anything. It's just a simple brick of oasis. 

And what I did was I cut it. I just made little notches. And I cut it the whole way down in thirds that'll be nice and flat. 

And once I did that, and this is kind of what it looks like once it's cut, just nice and narrow there, I took some Oasis waterproof tape. And I have gone down the entire length of it. And I just have everything taped in there to keep it from sliding one way or another. I think that's a really important thing to keep kind of everything in check. 

If you wanted to, you could use some Oasis glue. But I just really don't like glue. But some people don't mind it. I seem to get it all over myself so I avoid it. 

But you can use this tape instead if you'd like. And then, just with a couple of the leftover pieces of Oasis, I've made-- you can see here-- a little bit of-- a little bit of a level, or just a rise-- a rise here to make it a little bit taller. And that's so that my moss kind of can go up and down throughout the course of the display. So I just have one here and here and one here. 

I have three different types of ferns. And I just left some space in between my Oasis. I sort of kind of laid everything out before. And then, I just left some space as I took them out of their pots. And I'm kind of, like, just temporarily potting them in there between the pieces of Oasis, and I've got three here. 

And then, the other thing is these candles. And I just press them down into the Oasis so that they kind of had just like a little-- a little bit of sturdiness there. Then, it's going to get covered in with some moss and we'll adjust whenever it's in its final position, just to make sure everything's upright and in good shape. 

So those are the supplies that we're working with. And I have this beautiful sheet moss, some local sheet moss. Since it is local-- it came out of the woods-- I put it in some water just to hydrate it. 

And then, I also wanted to get the critters out. So that helped me get the critters. I just put it on a towel, squished it out, and then just kind of pressed through to make sure that I didn't have anything in there that I was carrying along that I didn't want to have with me. 

So that's where we stand with that. We're going to go ahead, and I'm just going to layer some of this moss in here so you can see what that looks like. I'm using some pieces of wire. And this is, I think this is about a 20-gauge wire. You could use, I think, anywhere between 18 and 24 probably would be fine for this. 

But I just made these little pins. And as I put the moss in, I just pin it into the Oasis. So the Oasis has several different purposes in this arrangement. 

One is to give a little bit of different levels. Another is to have a place where we can pin in to secure the moss without using glue. And then, I'm going to be adding some fresh flowers to this. And I wanted to have a water source for those. 

So I'm really just right now going to focus on the edges. And again, when it's in its final position on site, I'm going to go through and maybe just kind of, like, make this a little bit more irregular down the sides. But I want to leave some of that Oasis exposed right now so that I can see where to layer my fresh flowers in. 

And that's the next step. So you can see over here, I had some umbrella fern that I just took apart. And I have that sort of spread throughout. 

And then a little bit of this hydrangea. I'm going to add some more hydrangea, a little bit of seeded eucalyptus to get things started here. And then, we're going to kind of build up from there. 

I love this hydrangea because it can go large scale. I have another project for this event that is very big. And these transition nicely from very big things to very small things. 

You can see here, it has these sweet little berries and things you could pull this off, and this could become a part of a boutonniere or a corsage. It's also great to cut here in this area. And you can use this in a centerpiece, kind of to frame out the bottom of a centerpiece container or something like that. You can use it for what we're doing right now, or you can cut just each little piece off from the sides and kind of start popping those in like your seeing here. 

I just love the lacy, romantic texture that this adds. This bride wanted to have a woodsy event. Her husband is very outdoorsy, but she's very romantic and elegant. And so we're sort of marrying the two together in this arrangement. 

Probably not going to find hydrangea on the forest floor. But it does like shade or just in a beautiful garden. And you could easily find this type of plant growing in a garden where the moss and ferns and everything are. 

Umbrella ferns are one of my favorite things to have on hand if bright greens are being used in an event. Because, again, like the hydrangea, it can be used in so many different ways. You can pull it apart and use it in a boutonniere. You can leave it together and have it framed, you know, a big fleurette for something that you're doing in a large scale arrangement, maybe for a church or something like that. 

Now, with the seeded eucalyptus, we're just going to use really mainly the berries from it. But the leaves do kind of nod to this fern over here. There's a little bit of similarities there. So I might move on just a few of those. 

The goal with this is some texture. This is a very textural piece with all the different-- there's actually several different-- I don't know if you can see them, the detail, in the camera-- but there are several different types of moss within this. And that's one of the beautiful things about having something that's fresh and local is you get this variation between the browns, the yellows, the greens, something that I really love. 

You can get moss in cases from wholesalers. Generally, that's not a real tough thing to find. Price wise, it will differ, depending on where you're getting it from and all that kind of thing. But I think it's about between $36 and $40, when I've checked on it. So that kind of gives you a little bit of perspective, in terms of material costs. 

The little ferns that we're using today are from a local nursery. And I think they're about $8 each. Sometimes if you can get into Lowe's, where the piece of siding came from, sometimes you can get them in there for about maybe $4. It just depends what you're looking for and what you'd like to have for your design. 

The candles that we're using today are a birch bark unscented candle from Jamali Garden. And I just purchased two sets of those for this project. I'm going to go ahead and just loop this around. And just like I would an ordinary centerpiece or I could switch sides of the tables, except you're there, and I need to stay out of-- I need to stay out of your way. I just want to make sure I'm not overworking one section of the arrangement. 

The next ingredient we're going to add is called Pennsylvania Knotweed, something that as the name would suggest is a weed that you can find oftentimes. It looks very similar-- although I'm told it's not, you know, the same thing-- it looks very, very similar to me to Kiss Me Over the Garden Gate, which is something that you can get wholesale different times throughout the year. So very big, another one of those ingredients that can go very big or very small. 

With this, I'm going to start playing a little bit with height then start jumping up and out and creating a skyline for my table. The next time that you're in a city, you should kind of take notice of all of the buildings and the outline that they make up against the sky. And when you arrange, you can kind of-- you can think in a similar way. You're putting all the different buildings together. 

And just like when you're doing a compote arrangement, you want to create a little bit of depth. In this table runner, as well, just be thinking of having it come in, go out. Most of these that I have right now are sort of centered. So with my next little round, I'm going to focus on adding that dimension, that depth. 

The next ingredient we're going to add in are just some slightly pink roses. I didn't want this part of the reception-- this is going on the head table-- I didn't want it to look so, wow, this isn't something we're probably going to find on the forest floor. I didn't want it to look so different from the rest of the reception. 

She loved the lushful arrangements, so they're full of, you know, dahlias and roses and things like that. So I do want to incorporate a few things to tie those spaces together. These roses I'm using to create little lines that help the eye travel through the arrangement. Let's see if I can do this upside down here. 

So I'm thinking about the size of the roses a little bit. I don't want to-- it's kind of nice to move from big medium to small if you can. It just creates just a little bit of a more gentle progression for your eye. And now, I'm going to set my biggest point. And I'm going to go-- roses are going to be smaller again. 

So this would be a great place to pop in a dahlia and frame-- frame it with the roses. I took just a quick little intermission so I could put a bunch of flowers in so you didn't have to watch me place every single one. So we sped that up for you a little bit. 

We put it in-- we finished up the roses and made, like, little lines throughout the arrangement. And then, I went and added this white gumfrina, sort of at a medium level in the arrangement. And then, over here, I started going for my highest moment in the arrangement, which is going to be this Queen Anne's lace. 

So you just want to make sure that you're not going really above your knuckles. And I'm just going to keep going with some of this Queen Anne's. And then, we're going to add in some dahlias. 

I think, if you wanted this to be a really light airy design, I would stop here and perhaps, even, maybe not use the roses. But, like I said, I want this to coordinate with the rest of what's happening in that room. And it's just full of really gorgeous big blooms. 

So we are going to add some dahlias in here, not a ton. It's obviously more light and airy than heavy on blooms. But I do want to add in just a few. 

I think I'm going to flip this around so you can see what's going on over here and also so that I don't overwork one side of the arrangement. Over here, everything looks pretty good to me, except there are some moss spots in the front that we'll fill in before we wrap up. OK, I'll finish with some dahlias. 

I'm just going to take note of where my roses are. And I'm going to put one in the same neighborhood, just nice and low. This is great if you have some stems that break. I actually have kind of a funny story about these dahlias. 

I don't like taking Buster whenever I pick up my flowers because he's a crazy dog. And he runs all through the car. But I just was-- I knew all the places I had to go. And I thought, oh, he'll be so sad if he was just hanging out with himself all day. 

So I'll take him with me. He loves to ride in the car. So I took him with me. And my car was completely full, completely full. 

And I thought, there's no way-- I just had to make one more quick stop and run in to a store. I thought there's no way he's going to crawl back in there on top of all those flowers. Well, you better believe he did. He was sitting right on top of my dahlia bucket. 

But believe it or not, I only lost-- I only lost, like, two stems from the whole ordeal. And those were the first two stems that I popped in here that just had a little bit of a broken neck. But oh, man, I couldn't believe it when I came back and saw that. 

Then, after that happened, I dropped an entire bucket of water went rolling underneath my seat. If that ever happens to you and lights start going off in your car-- my "check engine" light was on. The "take it to the dealership" light was on. I thought it was over. 

Then, I got to the dealership. And he said, oh, ma'am-- and I'm about in tears-- he said, oh, that'll dry out. No worries. 

So if that happens to you, just wipe it up real good. Take it and check. But don't panic right away like I did, because it might be all right. Ooh, it's a heavy one. 

So a few more dahlias and we'll be done. People have a hard time with dahlias, how to keep them alive and looking pretty. You can do them wholesale. If you're part of the Team Flower Community, there's actually a discussion going on right now about this and some good tips and advice from some other members about how to condition them. 

But I just have not-- I have not had a good experience with wholesale dahlias. So I don't-- I don't buy them to try out all of the different solutions that you can put them in. But just get them local, and they're beautiful, and they hold well. 

You still do want to keep them out of the sun, of course. But it's a much easier time. All right. I think we're about done. 

As always, I'll kind of take a step away and then come back and see if there's anything glaring. There might be something you see in the camera that you're like, oh, Kelly, you need to fix that. But right now, to me-- of course, I'm close up to it and I've been looking at it so much, looks good. 

And these candles, I don't think are getting lit at the venue. So I'm going to leave them where they are for now. But you might want, if you're going to do this, you might want to get yourself some cylinders to pop them in so that you have them covered if you'd like to do that. 

They do take one that is a little bit bigger than what you would normally get for a bouquet vase. So they don't slide down in those easy. You need to size up. 

So anyway, all right, well, that's the six-- that's the six-foot forest floor table runner centerpiece. I hope you enjoyed watching it. I hope it inspires you to think outside of the container and do something fun and interesting for your next client. Thanks for watching.

Video: How to Create a Small Floral Centerpiece Featuring Spirea Foliage

In this video lesson, we’ll learn how to observe for inspiration while adjusting the arrangement layers for a smaller centerpiece. A lot of Centerpieces & Reception students have asked how to adapt to a smaller arrangement, so here Kelly shows you how! Ingredients used are Spirea Foliage, Gold's Dart Ninebark, Diablo Ninebark, Polka Dot Pippa Hybrid, Ranunculus, La Belle Epoch Tulips, Coral Bell Foliage, and Geum.

Fast Flower Video: Winter White Flower Arrangements

In this centerpiece time-lapse video, Kelly quickly pulls together a centerpiece for your inspiration! Learn how to become a florist and take floral design classes online with Team Flower. Here you can even learn tips on flower gardening for beginners. We'll show you how to do flower arrangements in flower arranging videos.

Video: Entry Table Floral Arrangement How-To

In this video, Kelly uses one of her favorite planters from TJ Maxx with a liner for a fresh-flower arrangement. The key ingredients are Viburnum, Mock Orange, and Poppies. You'll learn about the undertone colors in flowers and how attention to this can bring unity to your ingredient choices. As you watch, notice that each of the flowers are of a creamy white color palette. However, they also bring in a yellow hint in the center of the flowers, especially the poppy and mock orange.

Video: How to Use Complementary Colors in Your Floral Arrangements

Kelly demonstrates using complimentary colors in a small arrangement using only three ingredients. The ingredients used are Honeysuckle, Chantilly Snapdragons and Ranunculuses in a yellow and purple color scheme. As you’re choosing your ingredients, pay attention to the undertones of the colors in your flowers. This is key in creating a transition piece in your arrangement. Keep the triangular placement pattern in mind to create balance i.e. long piece on one side of the arrangement with a short and medium piece placed on the opposite side. Remember to disperse the colors evenly along with balancing each side to keep the arrangement symmetrical.

July Centerpieces Workshop Design Inspiration

Seven sweet souls gathered in the North Carolina mountains in July to do just that. They sought to cultivate creativity and find rest in inspiration. They overcame obstacles, broke through norms, and increased their design knowledge. And oh the creations they made! They poured their hearts into these flowers, so as you scroll through and admire the beauty they made, may you also be inspired to tap into the ingenuity within yourself.

Negative space in floral design

As you work through this exercise, you will develop a sensitivity to sense the profound effects of the presence of negative space. Will you be drawn to it in your first arrangement? Like the way it appears? Maybe not and that's normal. Keep at it. New things can take a little time to adjust to.

Video: Centerpiece Using Few Ingredients

In this video, Kelly uses only a few ingredients to create a beautiful centerpiece. Baptesia takes color to the arrangement edges and Lady's Mantle gives us low coverage. Iris is on double duty, creating an implied line offering a grouping of color to provide some rest in the arrangement.

Video: Cocktail Table Centerpiece

Can you really make a beautiful cocktail accent arrangement using only ONE ingredient? Kelly shows you how in this short tutorial! She demonstrates how to maximize both budget and style by purposefully placing every stem, leaf, and bloom, bringing the principles of design to life in this sweet piece. Knowing how to make an impact with a small amount of blooms is a great way to add value to your client's wedding designs.

Video: Foundations of a Wedding Centerpiece

What are the three levels of an arrangement, and why should we be thinking about them as we design? In this video, Kelly walks you through the design principles of balance, shape, and rest and how she used them to guide every piece she creates. These three principles are the building blocks that lead to efficiency, balance, and freedom in design!

Fast Flower Video: Using the iris flower for arranging

In this video, Kelly creates an arrangement step-by-step in this video. As you watch, pay close attention to how the colors compliment one another. Can you find the common color between each of flowers? Each one highlights the other as they work together to create a beautiful arrangement that draws the eye from one ingredient to another. Learning to understand the principles of color in an arrangement will take you one step further in your floral design.

Fast Flower Video: Ranunculus Arrangement

In this video Kelly demonstrates how to create a flower arrangement step-by-step. As you watch, think about the shape and size of each ingredient and the role it plays in the overall arrangement. Like people, flowers work together like a team, each playing a part. Learning to observe and think through the roles of flowers is a core competency in successful career with flowers.  

Arrangement How-to in Flower Magazine

This garden arrangement tutorial was recently featured in Flower Magazine. I'm happy to bring this feature to you — celebrating the present moment with flowers! See, garden flowers are just around for short spurts in time.  Peonies are amazing in May, usually making a grand flush across the country around Mother's Day (or if you live in the mountains like me, mid June).  Foxgloves wave their tiny bells and forget-me-nots rise from creek bed in front of our home in the summer.  Poppies pop and surrender in what seems like an instant.